Guilty of Romance (2011): Oh how I love insane films so much! – Review

Set within a surreal, neon-drenched vision of Tokyo, what begins as curiosity unravels into a delirious exploration of desire, power, and identity. In spaces where intimacy turns performative and pleasure curdles into obsession, the film traces a path from repression to excess, revealing freedom as something dangerously close to annihilation.

Laplace’s Witch (2018): How can i explain that i love films like this? – Review

Not everything can be reduced to formulas and vice versa, not everything can be predicted through instincts, and Laplace’s Witch shows you they can coexist.

Chess of the Wind (1976): A Gothic Tragedy of Wealth and Ruin – Review

A film the universe refused to lose, saved from its time and returned to the director’s own son, just to be celebrated globally.